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CORPORAL,
All-Night
Love Encounter,
April
2012
Corporal,
he saw time,
He
saw thirty seconds, he saw temporal instant,
He
saw the spin, the vortex, the end point,
The
whirl whereat all disappeared, no fiction,
No
imaginary construct, the vanishing,
The
event plane was real,
The
same as any other object in existence.
He
was turning the corner into the living room,
When
he noticed the couch had become clear light,
Transparent,
a configuration of lines,
Blue
lines on white background, and at the bottom,
On
the right-hand corner a lined of this vision,
A rectangular box spelled out
A rectangular box spelled out
Blanks
to be composed at latter time,
They
read, NAME, ADDRESS, and PROJECT TITLE.
Corporal Felt himself slip into more familiar space,
He
lay upon the bed on his back,
He
sat up. He bent forwards and grasped his toes.
He
was smarting.
He
was hurting all over! He suffered!
It
seemed every muscle, every joint ached.
My!
What a plethora of subjects crossed his mind.
Corporal,
he saw every crack and crevice of heaven.
He rolled up, brought his knees to chest,
And
then white light,
He
caught such gigantic power,
That
night he broke the bubble and went beyond,
He
went way beyond the stars, he walked a field,
The
wheat had grown up to his waist,
He
ran full speed, and he could see himself,
He
could see himself stark, dark figure in the distance,
While
he ran, he ran, breakneck, towards the horizon,
Horizon
of black-and-yellow, checker-board-colored sky,
2.
It
was at this moment he turned to ask her,
Their
clothes were scattered throughout the parlor.
It
was late night and a view of lower Manhattan lights,
The
buildings, street lamps and bridges burned,
Out
the window the illumination, awesome,
Out
the window view from
The
twenty-fifth floor of the high rise.
He
asked how it had been for her.
Corporal
wondered because they had never left
The
front room couch and the sadness of reentry,
Earth’s
gravity began to exert its heavy hold.
And
she, adopting chapter and verse from
The
good Doctor Leary’s work, replied, she replied,
“A
thousand times better, it was!”
“A
thousand times better,” Corporal queried?
3.
Their
clothes were scattered throughout the parlor.
Corporal
flashed in Technicolor,
A
motion picture screen,
It
occupied the theater before his eyes.
The
hall of the movie house appeared vast.
It
had three long, down-slope aisles,
Which
parted rows and rows of upholstered seats.
When
Corporal tuned his gaze upward,
He
saw a fretted vault with giant chandeliers,
Whose
crystals seemed to float impossibly down,
Down
from way, way up atop the hollow of the structure.
At
the cinema's front, a long, flat-board stage
Ran
below the drop of the great, silver screen.
The
stage had a trough for footlights,
And
thick, purple, velvet curtains, themselves
A
match to the fabric and the color of the theater's
Upholstered
cushions. The curtain was parted,
Then
gathered, draped,
One
to each side of the the stage's width.
The
movie house hosted an orchestra pit.
A
short shinny, marble wall, and upon it was mounted
A
low brass of post and rail, this wall and fence
Separated
the pit from where the audience sat.
Elsewhere,
as he considered what lay before him,
Corporal
discerned, ornate blocks,
And
floral, leafy rosettes carved in high relief.
Bright
light, on-and-off, splashes emanating from
The
aperture in the projectionist's booth
Accented
the luxury of the antique setting,
Highlighted
the palace-like details,
The
decorative elements of the theater's interior design.
Corporal
was stunned by the back and forth of the lights.
He
lapsed, it was as if he had a time machine transport,
He
saw workshop studios.
The
tables and tools of long-ago, men who wore aprons.
He
bore witness to the labor of yesteryear,
Industry
beyond narrow focus of bottom line.
He
lamented how terrible the cost of greed,
That
new notions, corporate profit priority had replaced
The
love and regard for hand-made things;
His
mind ran as a freight train from town to town,
And
when it slowed to heed the road level crossings,
Corporal
saddened over depopulated stores.
He
saw towns with ghost people walking the sidewalks.
The
sight of an old girlfriend,
Sitting
on a bench in empty public square, unsettled him.
The
thought occurred, he wondered whether,
Had
big-box merchants reduced the work of America
To
the stacking of shelves with cardboard cartons.
Click,
click, click, he heard machines dispensing,
Before
him loomed an endless role of bar code labels.
4.
Corporal
refocused his vision.
His
mind's eye returned to the movie house's interior.
He
saw upon the walls, fluted columns,
They
rose the floor to the ceiling,
And,
framed between them, between those columns,
There
were paintings, pictures of deep woods,
These
painted forest scenes opened upon coves
And
secret, manicured gardens whose waters reflected
Amorous
gods, deities at sport,
Who
played at love with mythical creatures.
And,
then, in the moment, when
His
eyes returned to the feature,
The
show that ran upon on the silver screen,
He
realized the film playing was a cartoon.
At
first he thought, Yes, Popeye,
But
no! No! Olive Oyl was not there,
Instead
he saw a white-hot blonde,
With
long, curly tresses, bouncing from her shoulders,
--
These were full action figures --
Then
he realized the cartoon characters,
Who
animated the screen, they were he and she.
They
were locked within impossible embrace.
Corporal
heard the music score, wham bam,
He
checked, he reached around his torso,
Touched
his back,
He
had to feel with his fingers,
Otherwise
how could he have know,
Did
the joints of his spine still stay in place?
He
wondered whether contortionists on view,
A
dream, or was it third-person glimpse,
The
camera’s true capture, the hours’ previous delight,
Now
projected with vivid light, on the screen,
Oh,
the animation and color before him!
5.
He
mulled it over, he was trying to discern,
What
was real, what was not?
And
then he fell to warm, all-over, pleasant body heat.
And
heard what he knew was voice of the Lord.
“Eagle,
Eagle arise… Why sleep now?”
“It
is dawn, and eat and drink,
“And
all the eagles wait to watch you.”
“Lord,
Lord,” corporal whispered,
“All
that You have put upon me,
“I
know these things are good.
“Haven’t
I been promised them since youth?”
And
she, her face no more than an inch away from his,
(They
were still upon the couch in the parlor.)
She
sighed and responded, again, to his erstwhile query,
“It
was a thousand times better!” She said.
Corporal
ran, he ran, breakneck, towards the horizon.
It
was late night and a view of lower Manhattan lights,
Although
now a slight color of dawn touched the horizon,
The
buildings, street lamps and bridges burned,
Out
of the window the illumination, awesome,
Out
the window view from
The
twenty-fifth floor of the high rise.
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